Sweat Sweat Sweat (um conjunto de pequenos afrontamentos)
Sónia Baptista
Dance
Auditório Municipal de Vila do CondeAuditório Municipal de Vila do Conde
21 Setp. (Sat.) | 22:30
M/12 | 1h25 | 5 €
Session with Portuguese Sign Language Interpretation
While, twenty years ago, my first series of short pieces was about the end of youth, now, this second series of short pieces will be about the end of adulthood. While my first series of short shows celebrated a summer flourishing with desire and possibilities, this one marks the end of summer and the scent of oncoming autumn, of changes in the air, in body and in spirit, of becoming accustomed to a body in transformation and a new state that arrives, is accepted, and is welcomed. Chinese philosophy speaks of a fifth season of the year, late summer, an expectant period, of preparation for a new stage, serene and comforting. In the timeline of my life, I feel and see myself here, experiencing a late summer, preparing myself for the second half of my life physically, emotionally, artistically.
It is said that summer is nostalgic, that it brings many memories, memories of other summers. These short performance poems will be, perhaps, at heart, summer postcards. Wish you were here…
— Sónia Baptista
— Sónia Baptista
Created and performed by: Sónia Baptista | Lighting design: Daniel Worm | Video: Aya Koretzky, Jorge Jácome, Raquel Melgue | Set design: Bruno Bogarim, Raquel Melgue, Sónia Baptista | Costumes: Lara Torres, Sónia Baptista | Head of production: Maria João Garcia | Production consultant: Elisabete Fragoso | Communication: Cláudia Duarte | With the contribution of: Mariana Ricardo, Ana Pais, Joana Levi, Isabela Figueiredo, Joacine Katar Moreira, Alice Azevedo, Maayan Sophia Weisstub | Publication: Flan de Tal | Coproduced by: Alkantara, Citemor, Circular, Paragem | Coproduction residency: O Espaço do Tempo - Pró Dança | Financial support: Fundação Calouste Gulbenkian, Fundação GDA | Project financed by: Direcção-Geral das Artes | Support: Hippotrip, Salina Greens, Central de Cervejas, Teatro Praga, Festival Queer Lisboa, Estúdios Vitor Córdon
Thanks to: David Cabecinha, Carla Nobre Sousa, Armando Valente, Dina Magalhães, Nelson Guerreiro, Filipa Brito, João Pedro Azul, Isidro Paiva, Sérgio Fazenda Rodrigues, Mariana Ricardo, Joana Neves, Maria João Garcia, Carmen Inácio e sus Muchachos, Miguel Lobo Antunes, Daniel Tércio & Guest, Mário Afonso, Miguel Pereira, Guida Moura, Carla Bolito, Adriana Bolito, Margarida Campelo, Maria João Guardão, Cristina Correia, Ana Água, Alípio Padilha, João Lemos, João Ferreira, António Gouveia,Rodrigo Gomes, Inês Gonçalves, Sofia Fernandes, Miguel Freitas, Nanica, Patrícia Andrade
Sónia Baptista (Lisbon, 1973) studied contemporary dance at Forum Dança (Lisbon) and holds a Master’s degree in Choreography and Performance from the University of Roehampton (London). As a performer and co-creater she has collaborated with Laurent Goldring, Patrícia Portela, Aldara Bizarro, Vera Mantero, Thomas Lehmann, Arco Renz, Teatro Cão Solteiro, AADK, Ligia Soares, Silvia Real, and Clara Amaral. In her work, she explores and experiments with dance, music, literature, theatre, and video. Her first solo work, Haikus, was awarded the Revelation in Dance prize of the Portuguese Ministry of Culture. Other works include Icebox Fly. Winter Kick (2003), Subwoofer (2006), ViceRoyale.Vain-Royale.Vile-Royale (2009), Peaufine (2011), Tempus Fugit (2012), Today is it a squirrel? (2013), in the fall the fox, e na queda raposar (2014), Assentar sobre a Subida das Águas (2016), Querer do Corpo, Peso (2017), Triste In English From Spanish (2017), I Call Her Will (2019), and Sozinhar (2019). She also writes and choreographs for works by other artists, is a published author, and teaches regularly at the performing arts universities and schools in Lisbon.