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© arquivo ACARTE
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© DR
O arquivo como gesto #5 | que arquivos, como os imaginamos, porquê, para quem?
Ana Bigotte Vieira | Questões Práticas
Workshop
Centro de Estudos Regianos17 Sept (Sat) + 18 Sept (Sun) | 14:30-17:30
Fee 10 € [registration form]
Partnership: ESMAE
Ana Bigotte Vieira works as a ‘discourse programmer’ at Teatro do Bairro Alto (TBA) in Lisbon. She is an historian, a cultural critic, a dramaturg and a curator. Her PhD research, awarded with an Honorable Mention in Contemporary History by Mário Soares Foundation centers on the ‘cultural transformation’ that occurred in Portugal after it joined the European in the 1980s, focusing on the performative role played by the opening of the Modern Art Museum. She is a resercher at IHC, UNL and CET, UL. Founding member of baldio | performance studies research collective, Ana is on the editorial board of BUALA editorial platform. She has transated Agamben, Lazzarato, Pirandello, among others. Together with choreographer João dos Santos Martins and Carlos Oliveira she is currently working on a project of collective historicization of Portuguese New Dance. She is Co-IR at FCT funded project Archiving Theatre.
Partnership: ESMAE
Ana Bigotte Vieira works as a ‘discourse programmer’ at Teatro do Bairro Alto (TBA) in Lisbon. She is an historian, a cultural critic, a dramaturg and a curator. Her PhD research, awarded with an Honorable Mention in Contemporary History by Mário Soares Foundation centers on the ‘cultural transformation’ that occurred in Portugal after it joined the European in the 1980s, focusing on the performative role played by the opening of the Modern Art Museum. She is a resercher at IHC, UNL and CET, UL. Founding member of baldio | performance studies research collective, Ana is on the editorial board of BUALA editorial platform. She has transated Agamben, Lazzarato, Pirandello, among others. Together with choreographer João dos Santos Martins and Carlos Oliveira she is currently working on a project of collective historicization of Portuguese New Dance. She is Co-IR at FCT funded project Archiving Theatre.