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  • © Michiel Devijver

  • © Michiel Devijver

Coreia #7 release with Bryana Fritz

Performance + Edition

Teatro Municipal de Vila do Conde — Salão Nobre

23 Sept (Fri) | 22:30
M/18 | Duration: 70 min. | Free entry
The presentation of the publication will be held in portuguese.
The performance will be held in english.

Coreia #7

21 Set (Wed) |19:00: A Fábrica/Linha de Fuga, Coimbra
22 Set (Thu | 19:00: Espaço Alkantara, Lisboa
24 Set (Sat) | 18:30: DeVIR CAPa, Faro
Coreia is a publication that brings together different artistic practices from the perspective of dance. Published twice a year in Portuguese language, Coreia focuses on writings from the perspective of those who make, who produce, who see and who think about the arts. The launch of issue #7 will feature the presentation of its editorial director, João dos Santos Martins, and the performance Submission Submission (unplugged) by Bryana Fritz (USA), composed of a series of performative portraits dedicated to medieval saints, among which, Christina of Bolsena, Hildegard of Bingen (Sibile of the Rhine), Catherine of Siena and Joan of Arc.

In Submission Submission (unplugged), Bryana Fritz takes on the role of an ‘amateur hagiographer’. The amateur being both a beginner and a lover; the hagiographer, as in the medieval literary genre of hagiography, the writing of saints’ lives. In a series of performative portraits, Fritz embodies the corporal, rhetorical, and performative strategies that medieval women saints used to subvert their restricted lives, deaths, and passions. Submitting her physical and digital body to holy echoes from the past, she dissects and harnesses the tools that give body.
 
Note: Submission Submission is a growing codex of performative portraits of medieval women saints. For each iteration of the performance, different saints are chosen to share the space. For the launch events of Coreia #7, Fritz will perform the portraits of Christina of Bolsena, Hildegard of Bingen, Cathrine of Siena, and Joan of Arc.



Coreia #7
Contributions: Amit Noy, Beverly Emmons, Bryana Fritz, Clarissa Sacchelli, Edna Jaime, Eduardo Batata, Leonor Lopes, Ves Liberta & Vitor Grilo Silva, Germaine Acogny, Joana Levi, Janaína Moraes, Paula Rosa Pinto, Renan Marcondes, Romain Beltrão, Sabine Macher, Viktor Ruban | Translation: Inês Cardoso & José Gil (estagiários), Joana Frazão, Patrícia da Silva | Proof-reading: Pedro Cerejo, Daniel Lühmann | Transcription: Inês Cardoso & José Gil (trainees) | Production and distribution: Associação Parasita, Circular Associação Cultural | Editor-in-chief: João dos Santos Martins | Graphic design: Isabel Lucena | Support: Alkantara (Lisbon), Linha de Fuga (Coimbra), Devir-Capa (Faro) | Acknowledgements: Alkantara, Marcela Levi e Lucia Russo

Submission Submission
Performance, text & choreography: Bryana Fritz | Dramaturgy: Tom Engels | Music partially based on: ‘Monsters’ by Heavens to Betsy & ‘Hamster Baby’ by Bikini Kill | Special thanks to: Christina the Astonishing, Joan of Arc, Christina of Bolsena, Hildegarde of Bingen, Marguerite Porete, Catherine of Sienna, Heavens to Betsy, Bikini Kill, Liza ’N’ Eliaz, Henry Andersen, Sarah Leck, Emmanuelle Raoul-Duval, & VCX Adult Entertainment | With the support of: Performatik19, Beursschouwburg, Kunstencentrum Vooruit, LOD muziektheater, and l’Odna

www.coreia.pt | www.parasita.eu | www.circularfestival.com

João dos Santos Martins (Santarém, 1989) is an artist. Her work, usually developed in collaborative processes, encompasses various forms that focus on dance, whether through choreography, exhibition or editing. These forms are crossed by questions that concern genealogies of dance history, transmission processes, the relationship between practice and discourse, and paradoxes about the activity of dancing. Founded Korea newspaper in 2019.

Bryana Fritz (EUA, 1989) is a choreographer, dancer, and writer. She works at the intersection between poetry and performance often in duet with the user interface of OS X. Her work is fed by a continued interest in medieval literature, fanfiction, media studies, and histories of illiteracy. She also collaborates with Henry Andersen under the moniker Slow Reading Club.